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Kelsey Phillips writesJoin Us for CHIRP Night at the Whistler with Sister Crystals and Today’s Hits!
Assuming you all survived the hell that was ChiBeria, grab your rain boots and head to Logan Square for CHIRP Night at the Whistler!
Every second Monday of the month, CHIRP Radio brings in some awesome bands for a night of good booze and better music. This month we have local dream-pop quartet Sister Crystals, who's debut self-titled LP dropped last summer and who have been making themselves heard at venues all over the city. Lauren Whitacre's etherial vocals paired with some solid melodies will go pretty great with some Whistler libations.
Joining them is Chicago's own James Swanberg, aka Today's Hits, who's been recording a song every day for the past…God, how long has it been now? Looks like around 1025 days at this point. If that's not reason enough to come check him out, give his catchy-as-hell garage rock tracks a listen and you'll be sold.
Meet us at the Whistler on Monday, January 13th at 9pm to check out these solid bands and drink obnoxiously good cocktails . As always, the event is 21+, and we'll be raffling off prizes. See you then!
Clarence Ewing: The Million Year Trip writesWeekly Voyages: Friday Jan. 10 to Thursday Jan. 16
(Weekly Voyages is CHIRP Radio's listing of concerts in Chicago at select venues. Information about tickets can be obtained from the venues' Web sites. Do you have corrections or updates for this list? Send us an e-mail.)
Friday January 10
In La Kesh, Inbound Kennedy, The Good Old Boys
Abbey Pub 9pm, 21+
Big Black Bird
Beat Kitchen 9pm, 21+
The Lost Brigade, Pitchy and the 44s, Kathy Greenholdt
Double Door 8:30pm, 21+
Sunnyside Up
Elbo Room 8pm 21+
SounsSmith, TOOFUNCHILD, Simon, Atom Poets
Elbo Room 8:30pm 21+
Martin Van Ruin, Farewell Milwaukee, Will Phalen and the Stereo Addicts
Empty Bottle 9:30pm, 21+
The Hoyle Brothers
Empty Bottle 5:30pm, 21+
Mike Bennett writesJanuary 10, 2014 iPod/MP3 Shuffle—Happy Birthday Jim Croce Edition
Today we pay tribute to one of my first favorite singers, Jim Croce. I got an AM clock radio (with a light up dial!) as a first communion present and it was tuned to the Top 40 stations and on a lot. Which meant I heard a lot of Jim Croce. He had a nice voice and could alter it to fit the mood of his song, singing with tenderness on love songs like “Operator”, while jiving on the song I loved, such as “You Don’t Mess Around With Jim” and “Bad Bad Leroy Brown”. His Life and Times album was my favorite of my dad’s 8-track tapes, where I heard his mix of love songs and story songs, often from a working class perspective. This perspective was earned – he did a stretch in the National Guard to avoid going to Vietnam and worked various trucking and construction jobs. And he drew from that environment in his music. Moreover, as I revisited his music as an adult, buying a 50 song compilation that had pretty much all of his studio work, I appreciated his facility with country, blues, pop and classical music. Songs like “Time In a Bottle” and the amazing, non-single “These Dreams” show a composer who combined directness and economy with subtle sophistication. His death in a plane crash in 1973 robbed pop music of someone who still had scads of untapped potential. Thankfully, his recordings still have the warmth and vitality they had 40 years ago. In honor of Mr. Croce, please grab your iPod or MP3 player, hit shuffle, and share the first 10 songs that pop up.
Mike Bennett writesFriday iPod/MP3 Shuffle—Happy Birthday George Martin Edition
Today, let’s celebrate one of the most important producers in pop music history, Sir George Martin. (NOTE: If you haven’t read the new Tune In book about The Beatles and want to do so, this post will reveal a key fact from the book. So Spoiler Alert!). Martin had musical inclinations, and after serving his country, became the top assistant to the head of Parlophone Records, learning how to produce records with a label that was an afterthought in the EMI Music empire. While working on a wide variety of genres (and excelling at comedy records with The Goon Show with Peter Sellers and Spike Milligan), he developed an experimental bent. This served him well when, after originally turning The Beatles down, the head of EMI assigned the band to Martin and Parlophone as a form of punishment – the boss found out George was having an affair with his secretary. Martin quickly warmed to The Beatles on a personal level, but wasn’t sold on the material. But the success of the Fab Four’s first 45, “Love Me Do”, proved him wrong. But he soon found Lennon-McCartney material up to par and forged a new type of producer-artist relationship. Instead of finding material for the band, he helped them cultivate their own songs and sound. Basically, Martin and The Beatles were perfect for each other, because they both were innovators. He helped them accomplish any wild sounds they wanted depicted. Yet, one of the things I love about Martin is that in documentaries, as he sits at a mixing desk playing parts of Beatles tracks, he still is amazed that he was a part of it. And an essential part. So let’s pay tribute to Martin by grabbing your iPod or MP3 player, hitting shuffle and sharing the first 10 songs that come up.
Josh Friedberg: Music Historian's Corner writesRediscovering Our Record Collections: “Thriller” by Michael Jackson
Today's Rediscovering Our Record Collections examines my reaction over time to Michael Jackson's 1982 landmark, Thriller. By all accounts a milestone in the history of popular music, Thriller cemented Michael Jackson's status as a central figure in late-20th century popular culture, becoming the biggest-selling album of all time worldwide; hitting #1 on the album charts in six (!) continents; breaking the color line on MTV with its groundbreaking music videos; and enabling a gigantic crossover success for Jackson, uniting audiences of all racial and ethnic backgrounds for a common cause of celebration.